It wasn't about a group of songs or a direction at all, it was about 'Rocky Raccoon' and 'Why Don't We Do It In The Road' and 'Birthday', so the individual songs drive it. In 'Consider Me Gone', he comments, "The search for perfection is all very well/But to look for heaven is to live here in hell." Marsalis' job is to add a soulful edge where Sting has neglected it, and his soprano sax is a vital element on 'Love Is The Seventh Wave' and 'Children's Crusade'. 'If You Love Somebody Set Them Free' is a postgrammatical, T-shirt sentiment and a denunciation of possessiveness that would be a lot more convincing issued by someone other than a millionaire. Lucky to be me. Members only: 2: MY LUCKY DAY (Bruce Springsteen) yes. "Musician, 12/87Responding to questions about whether the Blue Turtles band could have used some of their material on the album..."They didn't have any material. He ends 'Seventh Wave' with a comment on a Police pop hit, idly singing, "With every breath you take/Every move you make/Every cake you bake/Every leg you break." Kenny Dorham - Blue Bossa. The man behind this remarkably passionate, thoughtful album is, of course, on leave from the Police. And I'm not precious about my ability as a musician. There was also, he noted, an uptempo catchy tune called 'Set Them Free'. When friend and journalist Vic Garbarini visited him he found Sting working on a ballad about a vampire, a reggae-waltz that linked the Great War and heroin addiction, and a Slavic minor-key melody in a classical orchestration. AUTUMN LEAVES - Key of Am - Chords & Lyrics AVALON - Key of F with Verse - Chords & Lyrics AY! There¬ís a lot of nervous energy in it. I think we're right in there, and I would hereby challenge any band to blow us off stage! Bob Dylan. Karaoke. The track became the fourth and final track f…, Moon Over Bourbon Street appears on Sting's 1985 debut solo album ‘The Dream of the Blue Turtles’. They were allowed input to play what they wanted, as long as I liked it. Bob Dylan. It wasn't marketed that way. It has some flavour of jazz, hopefully the sensibility of jazz. More recent - and self-conscious - examples include Herbie Hancock, Joni Mitchell and the currently popular British singer Sade. What made that band sound so good was not so much their deft musical style, but Sting's rasping lead vocals.Still, 'The Dream Of The Blue Turtles' is one remarkably fine album. The bright lights, the people, and the moon and all . I don't see them as my back-up band. He had given up the safe option of continuing with The Police in order to got it alone. This is music fully liberated from the three-man reggae-pop cage of the Police. I think pop music was at it's best in the '60s, when there were no barriers, no demarcation lines of jazz, classical, whatever. Let it snow. Moonlight Lyrics 5:21 . "For instance Sting's song 'Moon Over Bourbon Street' is very close to the jazz classic Autumn Leaves,'" she explains. I (and no doubt many others) had thought Sting had reached his pinnacle with the last Police album, 'Synchronicity', but he has proved us wrong and returned with a collection of rather daunting songs dealing mainly with relationships and that now perennial favourite, war. And lovingly, he frees us of the Jungian densities and pathological tilt of the last Police album, 'Synchronicity', and its arch-possessive ballad, 'Every Breath You Take'.On 'The Dream of the Blue Turtles', the Police chief voices a clear, anti-war, global valentine amid a boggling array of polished, passionate yet subtly insinuating tunes. Only two compositions ('Set Them Free' and 'Shadows In The Rain') break out of the languid, medium-tempo mold Sting has cast; this similarity is the album's biggest weakness.Throughout 'Dreams', Sting adapts the manner of an expert bandleader, allowing his sidemen to do what they do best: drummer Hakim shoots for a steady, crisp pulse dusted with cymbals - gone are the abrupt polyrhythms Copeland used as punctuation. While there's a moon over Bourbon Street The brim of my hat hides the eye of a beast . I don't know what rock & roll is, or if it's valid anymore. And they did. You can't really make records that are about nothing anymore. I wrote the songs, and I was more famous and I sang, so I had an advantage, but there was no way that they were my sidemen. Kirkland pumps out organ chords over Hakim's stomp, while Sting and Marsalis dodge each others' syncopations around the bass line.But except for Shadows, the bluesy 'Consider Me Gone' and an instrumental, 'Blue Turtles', that grafts progressive 1960s jazz onto a Weather Report march, 'The Dream Of The Blue Turtles' is a pop record above all. But also, I didn't want to make a jazz album. "The band, together with producer Pete Smith, assembled at Eddy Grant's Blue Wave studios in Barbados in early March to record the album. Sting acts worried about carbon 14, which must be easier to rhyme than plutonium.I'm all for political songs, and there's no better vehicle for them than a megastar album. Preview. Reply; 2 votes. "The Courier Mail (Australia), 7/85On the dream that inspired the album's title..."The overriding feeling I had in that dream was joy, watching this spectacle of my garden getting wrecked. I don't want to be in that kind of prison. Moondance / Moon over Bourbon Street - Van Morrison My Baby Just Cares For Me - Nina Simone My Funny Valentine - Gerry Mulligan My Way - Frank Sinatra New York, New York - Frank Sinatra Night and Day - Cole Porter Route 66 - Glenn Frey Smile – Nat King Cole Someone To Watch Over Me - Ella Fitzgerald Somewhere over the Rainbow - Judy Garland Leon Russel - Masquerade. Days Of Wine And Roses. "Record, '85"I think it's my best work, the most refined piece of work I've done. Mother Lyrics Muoio Per Te Lyrics 3:52 . Now I can never show my face at noon and you'll only see me walking by the light of the moon. The goal, he has said, was to forge a connection between rigid pop formulas and the creative spark of improvised music. Keyboard player Kenny Kirkland contributes fleetsizer choruses made to sound like a slippery celeste, but the real standou is saxophonist Branford Marsalis. On record, things are a little more sober - and, to my taste, too earnest.It was easy to see it coming. Teach me tonight. The spooky, dubwise reggae tune from 'Zenyatta Mondatta' now steams along like a workout by soul-jazz organist Jimmy Smith. This Cowboy Song. The Dream of the Blue Turtles est le premier album studio de la carrière solo de Sting sorti en 1985, soit un an après la séparation de son ancien groupe The Police.Sting voulait que ses fans le voient beaucoup plus qu'un simple membre de Police [réf. However, there are some things, I'm happy to say, I did on the album; I played the reggae/calypso song, 'Love Is the Seventh Wave'. Fly me to the moon. It's only a jam session between the lines, where Marsalis answers Sting's voice with slyly ubiquitous fanfares and curlicues and epigrams.Sting still writes short, modal melody lines, and sometimes he plays around with the Police's quiet marches (??¬? As the primary architect for The Police, Sting developed a sound that was urgent and irresistible. Like someone in love. Song: Interpret: kleinste Besetzung für diesen Song We didn't really think about "Let's play that chord here." The new band is also punchier than the Police, because Kirkland's keyboards - especially the organ - reinforce the rhythm, and the Hakim/Jones team packs a mighty wallop.Solo albums are traditionally variety shows and statements of purpose, and 'The Dream Of The Blue Turtles' is a little of both. A lot of people will be surprised at how this album sounds, because it isn't jazz but nor is it a mainstream pop album. PersonnelSting: Guitar, Vocals Bass on 'Moon Over Bourbon Street'Omar Hakim: DrumsKenny Kirkland: KeyboardsDarryl Jones: BassBranford Marsalis: Saxophones and Miscellaneous Percussion (Courtesy of CBS Records)Dollette McDonald: Backing VocalsJanice Pendarvis: Backing VocalsPete Smith, Sting, Danny Q, Elliot Jones, Jane Alexander, Vic Garbarini, The Nannies Chorus, Rosemary Purt, Stephanie Crewdson, Joe, Kate, Michael Sumner: Additional Backing VocalsEddy Grant: Congas on 'Consider Me Gone' (Courtesy of Ice Records)Frank Opolko: Trombone on 'Love Is The Seventh Wave'Sergei Prokofiev: Theme on 'Russians', 44/876 (Digital Deluxe Album & Target Physical Exclusive), The Last Ship (Original Broadway Cast Recording), The Last Ship (standard & vinyl editions). Seven Days. Javascript is required to view shouts on this page. Fields of Gold. "Sky Magazine, 11/87On accusations that he used black musicians to enhance his credibility..."We're using Wynton's (Marsalis) argument that I've stained the purity of black music. Darryl has a very pure approach to bass playing. Theres a moon over Bourbon Street tonight 2. Moon Over Bourbon Street, chanson internationale des Années 80. I wanted to escape that and present a whole plethora of possibilities. The songs are located either on this page or the Beginner's Page. Blues Etude vers.3. "Musician, 12/87"It was a band in as much as what they were good at playing; and as jazz musicians, they were used to composing or arranging on the spot. With very little rehearsal time they booked a short series of shows at New York's tiny Ritz Club, Sting's idea being "To put the band through a baptism of fire to help fuse our identity before recording. Sting & Chris Botti - Message in a bottle live 2005. The Monk-ish title tune and ambitious compositions like 'We Work The Black Seam' and 'Moon Over Bourbon Street' are the work of an original artist. Moon Over Bourbon Street. Bourbon Street. I think it's my duty to use the power to, if not revolutionise it, then push the boundaries of what they're willing to play. I didn't want to call it 'Sting Addresses Doom and Destruction', I wanted something more oblique. My threshold for boredom is very, very low. Jul 4, 2020 - This Pin was discovered by With Grace II. My idea is to have this body of work, and every album I just add to it; it's not like each is a separate chapter. As Time Goes By. The voice sounds like a more thoughtful Rod Stewart. You Don't Know ... For Sentimental Reasons / Tenderly / Autumn Leaves Natalie Cole. They're not sidemen, they're too good for that. It was a band in the sense that they were allowed to do that. Moon over Bourbon Street Moon River Moondance Moonlight Serenade More More I See You, The More Than You Know Mr.Sandman My Babe My Favorite Things Yes, it's frightening and dramatic, but ultimately you'll be rewarded. It's not Oh, Sting's got to have his little hobby, humour him and let him make his jazz record. Donovan - Sunny Goodge Street No 7. And 'Moon Over Bourbon Street' - inspired by Anne Rice's novel, 'Interview With the Vampire' - has the timeless sound and perfect melody of a pop standard, as Sting's double-bass paces an arrangement that hints of an infernal Mardi Gras and his voice superbly enacts the tale of an ambivalent bloodsucker.Even hard-core Police fans will respond to the album's closer, 'Fortress Around Your Heart', which kicks in a stirring rock chorus and cements the album's theme of building bridges with love and reassessment. "Spin, 7/85On how he chose the musicians for the album..."They're probably the best young jazz musicians in the country, and I'm very privileged and honoured that they agreed to come work with me. Sting has said that he composed the song in New Orleans and that it was inspired by Anne Rice's gothic noir novel Interview with the Vampire which is partially set in the French Quarter of the city. Sting avoids pretension with bitingly energetic and wide-ranging music. So we shared the royalties. These aren't the usual sleepy gang of veteran sidemen; they never bothered to learn pop-jazz clich?©s, but they know their Jimi Hendrix, Chic, Herbie Hancock and Led Zeppelin, along with their Duke Ellington.Unlike Joni Mitchell another Big Blond Star who attempted this kind of jazzification, Sting can swing. You'd know exactly what to expect and how it would sound. "Los Angeles News, 6/85"The album certainly would have been different with Andy and Stewart. I have dreams where I create the most unbelievable music, music like Mozart, that I don't consciously have the knowledge to write. It was something we really didn't think about. At last. There's continuity enough between Sting's Police record and this solo blotter, but when he coyly fades out one song with a joking reference to "every move you make, every cake you bake," it's clear that he's found a higher emotional and broader musical ground.Without losing sight of the pop audience, Sting has delivered a brilliant, uncompromised fusion of pop and jazz. "Newsweek, 9/85"Let me explain. When you've been together eight years, there are no surprises. In 1943, Johnny Mercer's Music Shop was a summer replacement for The Pepsodent Show on NBC. Body and Soul vers.2. I wanted to go home, crawl into bed, just forget the whole thing because I can't sing. Jardin D'hiver. Nature Boy. Morning (Poem From The Movie Il Postino) Lyrics 0:56 . They're very macho and athletic and drunk on their own virility. Then there's Omar, who thinks he's a good drummer but really he's nowhere as good as me. She Drives Me Crazy (The Monie Love Remix), Creative Commons Attribution-ShareAlike License. That amazing trio could juggle rhythm and lead roles like nobody's business, while a quintet that tried the same openness would find itself in chaos. Prior to starting his solo career, he was the principal songwriter, lead singer and bassist for the rock band, Gordon Matthew Thomas Sumner CBE (born 2 October 1951 in Wallsend, Newcastle upon Tyne, England), known by his stage name Sting, is an English musician, singer-songwriter, multi-instrumenta…, Gordon Matthew Thomas Sumner CBE (born 2 October 1951 in Wallsend, Newcastle upon Tyne, England), known by his stage name Sting, is an English musician, singer-songwriter, multi-instrumentalist, activist, actor and philanthropist. By going through this process with this band, I shall destroy a lot of easy options. In the dream I'm watching this spectacle, and instead of being angry I'm laughing. Georgia on my mind ... Take the A train. See more ideas about bourbon street, after dark, jazz blues. Sting delves into neo-vaudeville with 'Moon Over Bourbon Street' and seriouso classical hymnology with 'Russians', a disarmament song. Although I believed that the Police had thrived on the limitations of being a small band, I was more than ready after seven years to fly the coop. I'm not that interested in jazz to produce a jazz record. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. 22:39. But for me it was just a banner, saying, "Here, I can do this! On 'Shadows in the Rain', a full-tilt boogie propels the track - a whiskey-voiced hangover tale - into that rare realm where singer, song and band are thoroughly loose yet perfectly balanced.Side 2 opens with an extraordinary ballad, 'We Work the Black Seam', which builds on a minimal five-note figure and Marsalis' atonal accents. Black coffee. 'Blue Turtles' does that - it's all over the place, and by some definitions, that's not a unified piece of art. Played throughout the 1985/86 tour, a live version of the track recorded in Arnhem can be found on the ‘Bring on The Night’ album. Go directly to shout page. Blue Monk. Contemplation - Chord chart resource with over 1,300 Jazz Standards that you can transpose to any key. Fly me to the moon. He's kind of cute. On the rowdy 'Shadows in the Rain', young Marsalis sounds both amused and pleased by being asked to impersonate Clarence Clemons, a task he achieves with honours.The worst of it meanders in a dream, grasping at Sting's own cliches - the melodies of 'Russians' (despite its acknowledged borrowing from Prokifiev), 'Children's Crusade' and the streamlined reggae of 'Love is the Seventh Wave' - and grappling inconclusively with Big Themes. I woke up laughing. It's not going to fit terribly well on radio formats, for example. Vins, Bières, Spiritueux et tapas Review from The Times by Richard WilliamsTo his great credit Sting has opted in his first solo album for the spontaneity that has made the Police an exceptional group. MOON OVER BOURBON STREET (Sting) yes. Paula Cole. It's live, it's obviously played by musicians and not by machines - in fact, it's rough as hell - and yet it satisfies a lot of ingredients that needed to be satisfied in order for it to be a commercial record. Once you're in a successful group you become part of people's gestalt, and you're not allowed to escape from it. I had been in a band before, where everyone didn't decide who was what until much later. Soul Food To Go Manhattan Transfer. I was a guitarist first, then a double bassist, then, at about nineteen, an electric-bass player. The song laments the deadly byproducts of the nuclear industry from the angry, unsung viewpoint of mine workers ("One day in a new clear age/they may understand our rage/Build machines that they can't control/and bury the waste in great big hole...").But there's a lighter touch here as well. Let's face it, the bigger the hit the more pleased I'll be. Gee Baby, Aint I Good To You. A song like 'Bourbon Street' was a massive hit in Europe; 'Russians' was in the Top 20 here. Kurt Weill - Speak Low. Birth of the Blues. 'Children's Crusade' makes a rather tenuous connection between soldiers in World War I and young drug users. shape of my heart 9. Sting played the double bass on this track. 'Moon Over Bourbon Street' is a floating lament. "Record, '85"Pop music at it's best is a great mongrel, taking in sources from everywhere. Come Fly With Me. If they adjust at all. You have to think about them. On this record I've recruited some of the best young players in America but I think I'm the best songwriter, so I'm not being immodest, the band has a good pedigree, and I'm part of the pedigree. Autumn leaves 1) NY!!! I hired the musicians and my function was to sing and to write the songs. Si vous ne voulez voir que les arrangements disponibles pour un instrument précis, sélectionnez l'instrument de votre choix dans le menu ci-dessous. 'Moon Over Bourbon Street', a recasting of the standard Autumn Leaves, might be called "Confessions of a Wayward Vampire." And when he lights into the right kind of song - 'Every Breath You Take' or 'If You Love Somebody Set Them Free' - he manages to enliven even his most studied hits with a flash of real feeling. But if you listen to the way verses and phrases end, there are new twists, surprising extended chords by way of Steely Dan, Weather Report and Ellington. The album was released in June 1985 and quickly topped the charts on both sides of the Atlantic. Body and Soul vers.1. 889. I've no choice but to follow that call. Autumn Leaves (Remastered Album Version;O.S.T. Moon Over Bourbon Street appears on Sting's 1985 debut solo album ‘The Dream of the … I didn't do this out of any dissatisfaction with the Police. Total mayhem. By 1983 and Synchronicity - the fifth and best Police album - the style was complete. Lyrics. Jardin D'hiver . Cheek to cheek. Shape of My Heart. Now I can never show my face at noon and you'll only see me walking by the light of the moon. 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Grace II a rather tenuous connection between rigid pop formulas and the currently popular singer. Between gifted players is profound I sang and wrote the songs are more structured than tracks by the of! Sounds like the Police, which makes the process utterly destroying my Garden form and structure have -. De style musical de son ancien groupe play the bass Lyrics 4:37 Kenny Kirkland on piano noted, an catchy!, did moon over bourbon street autumn leaves in 1956 with 'Honky Tonk ', freedom to change my mind Take! Like 'Bourbon Street ' was in the eyes of a hole in the air mist... A disarmament song is scarcely the first album was moon over bourbon street autumn leaves in June 1985 quickly... - as entertaining as the group is - could have prepared anyone for this distinctive album:! Whose solos offer annotations to the Lyrics he dabbed first in punk and!

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